My Video Intro

What follow are to be considered transcriptions of spoken word pieces that I would have delivered in a physical theater. You will also find video and audio pieces here.

This show has been roughed out years in advance, and material delivered as its time approached. There is an arc to this show. For that reason, posts --that is, pieces-- should be read in order, from older to newer. So if you've been absent for a bit, scroll all the way down and read upward.

Please remember that this is not a free show. This is the professional undertaking of a professional comedian who bet the farm on making this a going concern. Just because it is possible to steal my property does not mean that you may. If you go to the farmer's market and the man is away from his table, you are nonetheless obligated to put your money into the shoebox labeled "Put money here." My personal friends are exempted from buying their tickets, as well as those who may not be able to afford to buy a ticket. Everyone else is morally and legally obligated to buy a ticket if they partake of even, say, a dozen pieces of mine per year. Duck outside my theater for a cigarette as often as you like, but you didn't get in here in the first place without buying your ticket at the box office. The cost is $100 per person, per year. There is no law enforcement discount. There is no news media discount. No one gets a discount, unless you honestly don't have the money. (And to my law enforcement patrons: Even in Lenny Bruce's day, cops had to buy their tickets before they could get into his theater to jot their notes. Jot away, but if you are not here to arrest me or to shut the place down, then you are here covertly. If that is the case, then you are passing as ordinary patrons. If that is the case --and it is-- then you buy your tickets just like regular customers.)

Thank you for coming.

--Chris

Bitcoin Address: 1KtMQ32BoHqBAx4GFjLR1gLrBBp1BSnQs6

Or mail $100 to Chris King, Grafton, Vermont 05146

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This is the product safety sticker that accompanies all my speech:

There was a Pratt and Whitney JT9D 7-series compressor recovered from Murray Street in New York on 9-11, the precise identification of which is detailed in the Capta Brightstick Document. That incompatible engine hardware precludes Flight 175's presence at the scene of the crime and indicts the jurisdiction known as United States as criminal. If you are a member of a grand jury or jury, or if you are a judge, and if this product safety sticker has been removed from whatever speech of mine may have been presented to you, it is because the prosecutor is pulling a fast one on you and doesn't want you to know that the federal government auto-executed itself in a grand ceremony for all to see. Please have a nice day.

Updated legalese, added 11/1/2012 on the occasion of realizing that every time I go to court, Madame Prosecutor is forever waving around my intellectual property contained herein, content to use my words against me without having the decency to buy her ticket to my show. Well, here's something you can wave around: "I, Christopher King, do hereby plead guilty to whatever it is that Madame Prosecutor may allege. I'm rotten to the core and I secretly make fun of the judge all the time. As a result, I --and here these are my words, the words of the prosecutor and not of Mister King-- I have luscious melon breasts and I think the judge is the worst thing ever to happen to the court. You hear me, judge? That's right. I, Madame Prosecutor, secretly hate you and I think your rulings blow. I would like the record to reflect that Mister King is well hung and I ache for his tender ministrations. I suck, the prosecutor's office sucks, the judge sucks, and Mister King is a national treasure despite his plainly stating that he is guilty of all allegations that may ever be made. He plainly confirms that he is a dangerous terrorist. There. Let the record try to sort out who is who in this statement."

http://youtu.be/rJDztqCG91g

"Ta da! Behold Assclown Jurisdiction United States!"

End of product safety sticker.

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Buy your ticket to my show!

Bitcoin Address: 1KtMQ32BoHqBAx4GFjLR1gLrBBp1BSnQs6

Or mail $100 to Chris King, Grafton, Vermont 05146.

Monday, April 9, 2012

I can only imagine how easy it would have been to do stand-up thirty or forty years ago.

--back when free speech was the biggest concern you had to worry about. Back in the time of the greats, who did fine work, but who did not have to dedicate fully twenty-five percent of their clock cycles to keeping an eye out for pure criminals wanting to do them in.

My memoir ultimately will wind up in the remainder bin, worthless. This is because my life history over the past seven years sounds just so outlandish that it has to be a fabrication. The graph of the value of a memoir goes up, left to right, the value increasing in direct proportion to the wonder of the story. But there is a drop-off point where the value becomes inversely proportional to any further interestingness. At that point, the story is regarded as incredible and is presumed to be a fabrication. The monetary value of the memoir then drops to zero. It is simply not believable.

Even today, I make no effort whatsoever to interact with people. Interaction is a sharing exercise. It is how primates bond with each other. You share your stories and thus do you bond. How do you bond with someone who, upon receiving the considered offering of your stories, says, "Oh, that didn't happen"?

I suppose during the bonding phase of any couple there is some late-night conversation on the couch in the darkness, maybe with an old record playing low on the stereo, each of you drinking a glass of wine. You're turned toward each other and you're whispering your secrets to one another, confiding things you save for the one you judge to handle them with care.

"Oh ha ha. That didn't happen. Kook! You're just a pack of lies."

You can see that my membership at Match.com notwithstanding, I do not have high expectations of the whole dating thing. But I have promised my witch doctor* that I will at least go through the motions.

Anyway. My law enforcement audience members say, "How the hell did he know his house was bugged? How did he know about that guy on the train? How did he know he's a ledger entry on the Secret Service's books?"

It is because, even in my short time doing live stage work, I learned to develop a keen sense of everything going on in my theater. Even without letting on that I was aware of these things, I would immediately know that the guy over by the restroom had had too much to drink, or that the guy and his girlfriend at the table to the left are having a bit of a silent spat which threatens to become vocal, and that I need to pick up the pace and get this show over five minutes early because the street sweeping machines come by at ten and will have blocked the exits to the parking lot.

And out of the corner of my eye I can see that guy in the back, at the end of the row, glancing left and right and jumping up a row. And he sits there for a while, glances left and right again, and then jumps up one more row. And I can see a knife in his hand. I can watch this guy for an entire half hour.

I am aware of every last thing in my theater. And when you realize that I have seven times the experience doing a virtual show in a virtual theater than live stage work, you can see that I might develop a keen sense of everything in my virtual environment.

So even though the danger of doing stand-up is far greater today than it was forty years ago, my audience will be pleased to know that they are safe here. Threatening to make pastries for the president** was the smartest thing I ever did, because it forced the system to roll their cop cars, to recognize me and my stellar personal history and my good faith, and the system then found itself obligated to post armed guards at the doors who now eyeball every last potential troublemaker.

I'm on Easy Street, and so are my audience members. We're legit now!

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* My witch doctor has assured me that he is not in my theater. I certainly hope that he does not integrate what he hears in my show into his understanding of me as a person, a performer who claims a professional detachment from his own material. This is not a Facebook page. If you have doubts about that, just ask the Justice Department how useful it is to diagnose stage personas. I went from paranoid schizophrenic to schizoid to schizotypal to needing a date, all in under a year. Wow, I sure got better fast. I'm a modern medical miracle, a psychiatric success story.

I've only been stating for years now that what you read here are transcriptions of spoken word pieces that I would have delivered in a physical theater. Don't you think I might want to have a little fun now and again? Hmm?  And buy your ticket.

** I cannot legally tell you what I said. It's a new law or something, heretofore unknown in American jurisprudence --like so much around here.